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The recent ban on Baoman directly relates to a 2015 image and a 2014 short Baozou manhua video clip, which was reposted to online news app Jinri Toutiao earlier this month. No Disrepect for Chinese Heroes: A ‘Ban’ on Baoman The ugly, amateuristic graphics of the Baozou manhua suit this youth culture, meeting their need for expression in a culture that focuses on ‘keeping face’ (Ma 2016, 20).Īccording to founder Wang Nima, the Baoman genre provides Chinese gao gen (grassroots) netizens “a ‘lance’ to express themselves” (Chen 20154, 693) meaning this kind of humour can also serve as a frivolous way of resistance, using humor as a weapon to talk about daily frustrations. Self-mockery and self-satire is an important part of China’s so-called “diaosi tribe”: a huge group of Chinese youths who’ve labeled themselves ‘diaosi’ (屌丝), basically meaning “losers”, as they struggle with the hardships of everyday life and growing social inequality. These issues go from rising unemployment to the high cost of living, or the difficulty of entering Chinese universities through the gaokao (national entrance exam) system. The Yao Ming image is typically used as a ‘reaction face’ to convey a dismissive attitude towards comments in online discussions (Knowyourmeme 2018).īut there are also typically Chinese characters or biaoqing (表情 ‘expressions’), for example, those based on Chinese celebrities or referencing to Chinese pop culture (Chen 2014, 695 Xu 2016).Ī Baoman making fun of the challenges and ‘mindf*cks’ during multiple choice exams.īaoman have been especially functional in China for urban Chinese youth to “vent their frustration about the inequalities they face on a daily basis,” as Chen (2014) points out in “Baozou Manhua, Internet Humour and Everyday Life.”

TOP TEN RAGE COMICS PROFESSIONAL

Some of the popular Baoman characters are the same in China as in the US, such as ‘rage guy’ or ‘troll face’, or the ‘B*tch please’ meme – which is actually the face of Chinese retired professional basketball player Yao Ming responding to a journalist’s question during a post-game press conference. In 2012, the website officially registered the copyright of their Baoman products, as started receiving 5000 to 8000 daily submissions of new comics (Chen 2014, 692-695) Chinese ‘rage comics’ then also became more widespread on platforms such as Weibo or Wechat, where these ‘rage faces’ are commonly sent as emoticon-like stickers during chat conversations.

The jokes are often straightforward and politically incorrect (MacDonald 2016).

TOP TEN RAGE COMICS SOFTWARE

What are Rage Comics? Many internet users will be familiar with the online crude and simple online comics featuring various characters, often created with simple drawing software such as MS Paint, telling stories about everyday annoyances or personal embarrassments, and ending with a punchline. The ban also goes beyond Weibo, affecting Rage Comics accounts on Q&A platform, video-streaming sites Youku and iQIYI, and official Baozou Manhua websites. “In accordance with the Law on the Protection of Heroes and Martyrs (英雄烈士保护法), the Cybersecurity Law (网络安全法), and other legal guidelines, Weibo has fulfilled its corporate responsibility (.) and has focused on disposing of harmful information that insults, slanders, or in any other way infringes on the name, portrayal, or reputation of heroes.”Īmong the banned Weibo accounts are and – all very popular channels through which China’s so-called ‘Rage Comics’ are created and spread. The official Weibo administrator account 微博管理员) issued a statement in the evening of May 17, writing:

Sixteen Weibo accounts relating to Rage Comics (暴走漫画) were shut down by Sina Weibo administrators this week for allegedly “insulting” and “slandering” the names of Chinese heroes and martyrs. Online censors are now targeting channels spreading these popular webcomics, which serve as a humorous weapon to China’s younger generations. Rage Comics, known as Baozou Manhua in Chinese, have become a widespread phenomenon on Chinese social media over the past decade.

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